Inside the park
Cruz Alta
The high point of the park at 528 metres. It gives you the entire palace on its rock with the sea behind. Covered by the park ticket, and the best wide shot available.
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Photography guide · Angles and hours
The classic Pena Palace photograph — the whole coloured building on its rock — cannot be taken from inside the palace. It comes from two places, and one of them is not even on the same ticket.
Live prices and availability. Booking is completed on the Tiqets website.
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Pena Palace is hard to photograph for a geometric reason: it sits on top of a rock and its most colourful façades face opposite directions. Up close you get either the colour or the scale — rarely both. This page solves that with four locations and three times of day.
Inside the park
The high point of the park at 528 metres. It gives you the entire palace on its rock with the sea behind. Covered by the park ticket, and the best wide shot available.
Separate ticket
From the rampart walk you face Pena at roughly the same height. This is the angle behind most published photographs — but it needs its own €12 ticket.
By the palace
Right beside the palace, with the yellow ramparts in the foreground and the hills behind. The best spot for portraits with the palace as backdrop.
Detail
The carved decoration and tilework seen from below. Works well in clear weather and in fog.
Far fewer people, but the palace is backlit from the main terrace. This is the best hour for photographs without crowds, not for the best light.
The worst combination: hard light, short shadows and peak visitor numbers. Avoid.
The light strikes the yellow and red façades side-on and the colour gains depth. It is also after the tour groups have gone down. The best hour, with the caveat that the last palace ticket is sold at 17:30.
Do not avoid the fog. With the hills closed in, Pena appears and disappears through the mist and gives far better images than a flat clear day. Fog usually lifts between 11:00 and 13:00.
Freely licensed images from Wikimedia Commons, with author and licence shown on each.
The wide shot: this is the framing Cruz Alta and the Moorish Castle give you.
The palace terrace, with the yellow battlements in the foreground.
The entrance arch, crowned by the Triton gateway — an allegory of the creation of the world.
The Valley of the Lakes, the part of the park that works best in low light.
The Chalet of the Countess of Edla, at the western edge of the park.
Interiors: no flash, no tripod, and rooms kept deliberately dim.
From Cruz Alta inside Pena Park, and from the Moorish Castle. Those are the only two points where you see the whole palace on its rock. Cruz Alta is covered by the park ticket; the castle needs its own.
Late afternoon, from 16:30, when side light brings out the yellow and red of the façades and the tour groups have gone. For photographs without people, the first hour of the morning.
You can, without flash and without a tripod. The rooms are kept dim for conservation reasons.
Not without prior authorisation. Commercial use of imagery and drone flight over the monument are subject to permission from Parques de Sintra.
Photographically, often more so than on a clear day: the palace emerging through mist is one of the most characteristic images of Sintra. Fog usually lifts between 11:00 and 13:00.